Garden rooms and green roof at Cloverleaf Drive Garden: Austin Open Days Tour 2017


This year’s Garden Conservancy-sponsored Open Days tour in Austin featured gardens in a variety of styles and a variety of neighborhoods (not just West Austin). I especially enjoyed exploring the Cloverleaf Drive garden, which, along with Jackson Broussard’s, is located east of I-35 in a “regular-folks” neighborhood. It was designed by Casey Boyter, one of 3 female designers represented among the 6 private gardens, which I also think is a great move by the tour organizer.


Let’s start with the street view, and this unusual sight: an arch of normally upright, columnar ‘Will Fleming’ yaupons. I was quite surprised to see ‘Will Fleming’ used this way, and I wondered if it was planned from the start or decided on later.


A deep curbside bed of low-water plants like agave, gopher plant, purple coneflower, and woolly stemodia shrinks the lawn to a more manageable size.


A pretty garden gate on a wood-slat fence admits you into the back garden…


…and a nicely fitted limestone patio and what Casey calls a rubble wall, with bricks and other salvaged materials tucked among the stones. Casey specializes in this sort of wall, as does Jackson and Tait Moring, whose garden was also on tour. I’m starting to think of a rubble wall as a distinctive Austin look.


Looking left along the house, you see a gravel patio with a willow bench, red-flowering container plants, and other enticements.


But first let’s take the gravel path that curves invitingly from the gate through mistflower, spineless prickly pear, and native palmetto to a low curved wall…


…which offers seating around a portable fire pit. I love this. It reads like a council ring, one of my favorite design features in a garden. Native inland sea oats grasses nod in the foreground.


Another view. Check out that wall detailing.


And one more, with agave, salvia, grasses, and roses adding greenery all around.


A rectangular lawn adds a swath of soft green — and a play space for kids or dogs — in the center of the back yard. But the majority of the yard is a gravel-path ramble through generous garden beds of native and adapted plants, leading to various patio destinations. This kind of garden really appeals to me. Also, notice the galvanized-panel fence, which adds a contemporary note — or industrial, depending on how you look at it — to the garden.


Instead of tucking the garden shed in a back corner, Casey placed it in the middle of the rear property line, which serves to divide the yard into two distinct spaces. Creating multiple garden rooms makes any garden feel larger, and it works here too. Charmingly, the shed is topped with a green roof of prickly pear and native grasses. Casey is a green roof pioneer in Austin.


You might ask, do the homeowners want to look out their windows at a shed, even as cute a shed as this one? Well, they don’t. A two-level, wood-slat screen draped with an evergreen vine creates another garden-room division between the patio with the willow bench and the rest of the yard. On this side of the screen, inland sea oats line the lawn — a fun juxtaposition of native grass and turf grass.


The long view


A closer look at the shed and its green roof. I like the sliding barn door and its chevron-pattern construction and the built-in potting bench along the side.


From the shed area, you peek over a narrow planting bed and see another gravel patio with two Adirondack chairs.


Walking around to see what’s there, you find a small stock-tank pond with tall papyrus and a yellow waterlily.


A sweet discovery


Here’s the designer, Casey Boyter, who was on hand to answer questions about the garden.


Along the side fence, an Adirondack loveseat offers a resting place amid sedge and oakleaf hydrangeas.


A double gate of wood slats offers access on this side.


From here you enjoy a long diagonal view across the garden to the fire-pit patio.


Agaves grow in and around a traditional concrete birdbath — another fun little surprise.


View of the shed and a loquat tree to the right


I can’t get enough of that agave in the birdbath. It makes a cool focal point.


Heading around to the willow-bench patio at the back of the house


The horizontal wood-slat screen draped with coral honeysuckle vine makes a nice backdrop to this open patio furnished with charming willow loveseats and chairs. I don’t know what the red-flowering plant is — something tropical, I think — but it adds a nice jolt of color to this largely evergreen garden.


I like how the screen keeps you from seeing the whole garden at one glance. You have a reason to go outside and explore, with tantalizing glimpses of other garden rooms around each side.


A metal sun hangs from the screen — no need for nails if you use a hook. The screen is constructed in 3 parts, with the center section stepped back about 4 inches and built about 6 inches taller than the panels on either side, giving the screen depth and a nice symmetry.


The rustic pots work well with the rustic willow furniture.


Utterly charming, don’t you think? And attainable. These are inexpensive gravel paths and DIY-able screens and readily available native plants. The key is thinking through the space and how you want to divide it, while keeping a certain openness in the garden rooms you make. Or hiring a designer to figure that out for you!


And what a great way to get rid of a lot of lawn too.


I enjoyed this garden and know it must be very liveable for the lucky owners.

Up next: The contemporary garden and poolside retreat of designer B. Jane. For a look back at landscape architect Jackson Broussard’s personal garden, click here.

I welcome your comments; please scroll to the end of this post to leave one. If you’re reading this in a subscription email, click here to visit Digging and find the comment box at the end of each post.
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Digging Deeper: News and Upcoming Events

Calling all garden bloggers! You’re invited to register for the annual Garden Bloggers Fling tour and meetup, which will be held in Austin next May 3-6, 2018! Click this link for information about registering, and you can see our itinerary here. Space is limited, so don’t delay. The 2018 Fling will be the event’s 10th anniversary, which started in Austin in 2008.

Join the mailing list for Garden Spark Talks! Inspired by the idea of house concerts, I’m hosting a series of garden talks by inspiring designers and authors out of my home. Talks are limited-attendance events and generally sell out within just a few days, so join the Garden Spark email list for early notifications. Simply click this link and ask to be added.

All material © 2006-2017 by Pam Penick for Digging. Unauthorized reproduction prohibited.

Cornerstone Sonoma showcases conceptual gardens in scenic wine country


It wasn’t easy, but I finally visited the gardens at Cornerstone Sonoma in Northern California, which have been on my bucket list for years. Due to my own poor planning, I first missed them after the San Francisco Garden Bloggers Fling, when I rented a car to explore up to Stinson Beach but inexplicably forgot to push on to Cornerstone. Doh!


Determined not to repeat that mistake, I planned a visit to Cornerstone during a family road trip from San Francisco to Portland earlier this month. We arrived on a beautiful, sunny day in time for lunch and then poked around in the market’s charming shops along olive-lined lanes. As the midday heat eased, I headed eagerly to the gardens — where I learned to my dismay that they were closing in 5 minutes for a wedding! As we were escorted out by staff, I watched the bride, adorable flower children, and elegantly dressed guests heading into the gardens and glowered.

Foiled? Not hardly! The next day, while my husband and daughter went zip-lining among coastal redwoods, I drove an hour back to Cornerstone for a quick visit before my hour-long return trip to pick up my family. Was it worth all that trouble? Yes! Let me show you what it’s all about.

Mediterranean Meadow by John Greenlee


Cornerstone’s gardens consist of 9 small conceptual installations created by landscape architects and designers. Each plays off a particular theme, idea, or mood. Inspired by the International Garden Festival at Chaumont-Sur-Loire (also now on my bucket list), the Cornerstone gardens were designed to be temporary and originally numbered 20. However, to accommodate the relocation of Sunset’s test gardens in 2016, they were whittled down to the 9 that remain today.


Ornamental grass expert John Greenlee designed Mediterranean Meadow, a billowy meadowscape accented by two striking sculptures: an openwork steel sphere by Ivan McLean, which allows glimpses of the swaying grasses and golden hills beyond…


…and a stacked-stone ovoid with bands of terracotta and white.


In the distance you see a tall steel mobile sculpture…


Time Killer by Diego Harris, which is currently for sale if you have a large space in need of a special something.


Peeking through a window in its steel base, I spotted another artful installation…


Daisy Border by Ken Smith. Cornerstone’s website explains:

“Composed of classic daisy pinwheels — a common garden decoration on American lawns — the border is at once artificial and natural. Made of plastic, it nevertheless registers sun, rain, and wind.”


I like the contrast between the colorful, toylike pinwheels and the muscular agaves and tawny grasses in the next garden.

Garden of Contrast by James Van Sweden and Sheila Brady


Designed by the late James Van Sweden and by Sheila Brady, Garden of Contrast is maybe the most famous of the Cornerstone gardens. I was happy to see this one! Toothy green Agave salmiana reach up to touch the dusty-green leaves of olive trees, while tawny Mexican feathergrass sways in the breeze below. Three species of plants, all of which grow in Central Texas, planted to perfection!


As Cornerstone describes it, “This design offers a new paradigm for the American Garden. The garden’s ground plane, a plant tapestry[,] combines texture and form, color and scent, while a canopy of olive trees adds a third dimension that changes in color and opacity as the seasons advance.”


In springtime, wine-colored drumstick alliums and orange California poppies thread through the grasses and agaves, adding sparks of seasonal color. I’d love to see that.


I couldn’t get enough of the contrast between muscular, stiff-leaved, saw-toothed agaves and feathery, pliable, strokable grasses. Actually I stroked the agaves too.


This agave is a monster at over 6 feet tall. Behind it, a diagonal line of rosemary bisects the garden, separating the sunny, grassy side from the olive-shaded, woodsy side.


Under the olives rests a huge steel-and-stone sphere, also by Ivan McLean, who writes:

“Noyo cobbles are the name of locally, Sonoma County area, found stones, 4″ to 8″ or so in size. It took 2 yards to fill this 60″ sphere, about 6,ooo pounds. It’s placed in a garden whose theme is ‘contrasts’, so you have the sphere made from squares and rectangles filled with round stones and a very heavy sculpture looking very light, at least that was the idea.”

In the Air by Conway Cheng Chang


I imagine plenty of engagement photos have been taken in the romantic and heart-adorned In the Air garden, designed by Conway Cheng Chang. Rebar arches help vines clamber over billowy, sedge-lined paths on one side.


On the other, a geometric arbor supports a cloud of white roses, and interlocking steel hearts playfully divide the garden in two.


Hearts and sedge


Love must be in the air.


As Cornerstone describes it:

In the Air intends to be playful and critical, spontaneous and composed. Air penetrates and circulates through all living organisms. It fills the in-between spaces and supports human life and emotions. The garden was created to reveal the form of air and in doing so help us understand and appreciate it.”


Purple clematis


And another purple clematis

Small Tribute to Immigrant Workers by Mario Schjetnan


A memorial to Mexican agricultural workers, Small Tribute to Immigrant Workers is the creation of Mario Schjetnan.


A maze of walls — red-painted plywood, corrugated steel, and rock-filled gabion — seems to reluctantly allow entry, each with photos and text about the dangers faced by migrants desperate to cross the border to find work.


Cuidado


A simple shrine hangs on a gabion wall, offering a place for prayers.


On the other side of the wall lie plots of edibles symbolizing the agricultural fields of California.


Artichokes

Eucalyptus Soliloquy by Walter Hood and Alma Du Solier


Towering eucalyptus trees line the roads in Sonoma, and Eucalyptus Soliloquy pays tribute to them. A gabion wall stuffed with eucalyptus leaf litter and a trellis screen of pinned eucalyptus leaves line a long path toward a view of a pond.


Cornerstone says, “The Sonoma landscape features eucalyptus windbreaks that divide field and vineyard. Eucalyptus Soliloquy is a conversation between distant groves and a built landscape of borrowed trees, orphan leaves, branches and seeds.”

Rise by Roger Raiche and David McCrory


Rise, designed by Roger Raiche and David McCrory, is one of my favorite gardens at Cornerstone. Its iconic steel culvert tunnel makes a playful path through the garden and seems to shrink you, Wonderland-style, to childlike dimensions as you pass through.


See what I mean? Cornerstone says:

“Rise is a celebration of color, texture, diversity, light, space and life. The plantings and landform, modeled on a natural landscape, are exaggerated to enhance the sense of separation from reality. Likewise the pipe exaggerates the sense of transition from one world into another.”


Walking through, you get a porthole view of a neighboring vineyard.


But the garden itself transports you to a tropicalesque jungle of dramatic foliage.


Sizzling! Later, Loree Bohl of Danger Garden asked me if I’d seen the Marcia Donahue garden at Cornerstone. I immediately knew she was referring to this distinctive garden.


Donahue’s artwork adorns the garden, like this tree necklace and some of her ceramic bamboo sculptures (previous photo).


More of her bamboo, at left of the tunnel.


Flowering fuchsia adds its own bright adornment, like dangling earrings.


Rise overlooks a large rectangular pond that stretches invitingly behind several of the gardens.


As you approach, hedges frame a view of the pond and ornamental grasses that overhang the far side.


Waterlily circles seem to skip across the water, echoing the rhythm of the tall grasses.


Beyond that, rows of grapevines establish their own rhythm, leading the eye to distant hills.

Bai Yun (White Cloud) by Andy Cao and Xavier Perrot


Bai Yun (White Cloud) is hard to photograph but absolutely mesmerizing in person. Fluffy clouds of wire mesh, suspended by metal posts, drip with hundreds of raindrop-like crystals over a desertscape of prickly pear and white dunes. Shadows are surely an intentional part of the design as well.


Such creativity!


You can’t help musing about drought, the preciousness of water, and gratitude for rain when you look at it.

Serenity Garden by Yoji Sasaki


Along a straight main path, narrow paving strips extend on either side into a green lawn in Serenity Garden. Cornerstone says, “Each element in this garden has been carefully selected for its effect, particularly of its ability to point to or register the ever-changing aspects of nature — shadows, wind, borrowed scenery and material texture.”


I wasn’t moved by this garden, but I did stop to appreciate the rough bark of the pine trees along the back hedge.

Birch Bosque


On the other hand, I loved this bosque of birches in the garden next door. I have a thing for bosques. I find the simple geometry of tree trunks, open space, and (usually) a hedge enclosure to be very soothing.


This garden lacked signage, and it’s not included in Cornerstone’s list of gardens. A little online sleuthing told me that it was formerly a garden by Topher Delaney called Garden Play. The original blue-striped wall and rope balls no longer exist, and an enclosing hedge now frames a view of a vineyard (previous photo).


That settles it: I am going to have a bosque of my own one day. But what kind of tree, I wonder?

Pollinator Garden


Another garden not listed on Cornerstone’s website, as of this writing, is a brand-new space that I believe was labeled as a pollinator garden.


A barn-like structure (wedding venue?) with a central hallway frames it nicely.


Bright with coneflowers, salvias and more, it’s sure to be a hit with insects, birds, and people.

Children’s Garden by MIG Incorporated


The last Cornerstone garden is a children’s garden by MIG. I was struck by the fact that this kids’ space is largely organized around a mini vineyard. Starting ’em young out in wine country!


A few colorful playhouses and birdhouses on tall poles add a little kid flavor.


But really, this space is all about the grapes. Which is an appropriate way to end a post about a garden in Sonoma.

Up next: The picture-perfect Sunset Test Gardens at Cornerstone Sonoma.

I welcome your comments; please scroll to the end of this post to leave one. If you’re reading this in a subscription email, click here to visit Digging and find the comment box at the end of each post.
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Digging Deeper: News and Upcoming Events

Get on the mailing list for Garden Spark Talks. Inspired by the idea of house concerts, I’m hosting a series of garden talks by talented designers and authors out of my home. Talks are limited-attendance events and generally sell out within just a few days, so join the Garden Spark email list for early notifications. Simply click this link and ask to be added.

All material © 2006-2017 by Pam Penick for Digging. Unauthorized reproduction prohibited.

Japanese Garden and garden art at Hillwood Estate: Capital Region Garden Bloggers Fling


I almost missed the Japanese Garden, my favorite part of Washington, D.C.’s Hillwood Estate. It was hot and muggy on the first full day of touring during last month’s Capital Region Garden Bloggers Fling, and after exploring for about 45 minutes I retreated to the gift shop to cool off.

There, a fellow blogger mentioned the Japanese garden as being particularly fine, and I realized I’d missed it altogether. That wouldn’t do! Back out I went to find it.


And there it is, hidden in plain sight alongside an open lawn, a leafy screen of clipped shrubs, burgundy Japanese maples, and weeping willows promising both shade and a gorgeous tapestry of foliage.


Water is a playful element in this Japanese-style garden, as Hillwood describes it. Spouting arcs of water appear to leap alongside a wiggly “floating” path of carved steppers resembling millstones.


A path like this just begs to be crossed — with a little thrill — and so I did.


Pagoda sculpture with colorful foliage


Roofed gate


A pretty waterfall tumbles through boulder-strewn ledges from the top of the garden.


Arching bridges cross a green lily pond…


…accompanied by more arcing spouts of water.


Stone lantern


Another view, with the pagoda in the distance


Foliage is the star of this garden, with rich colors and texture. Waterlilies add a dash of floral ornamentation.


As I exited the garden I stopped to admire a rusty-leaved, artfully contorted Japanese maple with a (surprising because not on-theme) St. Francis statue tucked amid boulders at its feet. Simply lovely.


Speaking of sculptural garden ornament, Hillwood’s gardens are studded with classical pieces, like this charming faun with cymbals…


…another faun with a horn…


…and even a sphinx whose female half resembles a kerchiefed and corseted 18th-century dame!


Regally at ease alongside the expansive Lunar Lawn, this stone lion marked the spot where we Flingers were to have our group photo taken.


Arraying ourselves on the steps of the Hillwood Mansion, we stood as still as statues for this picture taken by Wendy Niemi Kremer. Want to know who all these bloggers are? Check out the Capital Region Fling attendees page, organized by state — and by country for the handful of international Flingers.


Next I explored the French parterre, a formal garden designed to be enjoyed from an upper-story window of the house. Hidden behind ivy-covered walls, Diana the Huntress with her hound stands as focal point at the end of a limestone rill that connects to a central pool.


Scroll-like swirls of clipped boxwood grow in four symmetrical beds divided by gravel paths.


A pretty container combo


Next I found the rose garden, which is also the final resting place of the estate’s founder, art collector and heiress to the Post cereal empire Marjorie Merriweather Post.


The cutting garden was a favorite of many of the garden bloggers…


…perhaps because it felt more attainable than the grand formal gardens.


And it was very nice.


But the Japanese garden remains my favorite.

Up next: My final post about the 2017 Fling featuring Willowsford Farm, plus a sneak peek at next year’s Fling. For a look back at Brookside Gardens and a Patrick Dougherty twig sculpture in Reston, click here.

I welcome your comments; please scroll to the end of this post to leave one. If you’re reading this in a subscription email, click here to visit Digging and find the comment box at the end of each post.
_______________________

Digging Deeper: News and Upcoming Events

Get on the mailing list for Garden Spark Talks. Inspired by the idea of house concerts, I’m hosting a series of garden talks by talented designers and authors out of my home. Talks are limited-attendance events and generally sell out within just a few days, so join the Garden Spark email list for early notifications. Simply click this link and ask to be added.

All material © 2006-2017 by Pam Penick for Digging. Unauthorized reproduction prohibited.

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