Chihuly in the Forest and American art at Crystal Bridges Museum


While in Eureka Springs, Arkansas, last weekend, my husband and I drove to nearby Bentonville to see the remarkable collection of American art at Crystal Bridges Museum. The museum is surrounded by pleasant walking trails, and an exhibit of Chihuly glass sculptures, Chihuly in the Forest, was ongoing (it ends November 27).

Naturally, I had to see it.


The museum sits down in a hollow, encircled by wooded hills. A steel and glass elevator takes you up to the start of the Chihuly trail.


The first sculpture, Boathouse 7 Neon, a composition of brightly colored and wavy glass tubes, put me in mind of someone who stuck their finger in an electrical outlet.


The colorful trees were electric too.


The mellow autumn sunlight illuminated the glass until they seemed to glow from within. Here’s Turquoise Reeds and Ozark Fiori.


This sculpture jumps over the path and continues along a creek bed.


Neodymium Reeds, luminescent and seeming to grow from mossy old logs


Glowing trees of gold…


…and crimson


The big daddy of any Chihuly exhibit is always a sun sculpture. Here’s Sole d’Oro, or Golden Sun.


The gold glass pieces pick up the color of the surrounding trees.


Next we saw Belugas, which look like balloons to me…


…although certain ones do have a dolphin-like quality.


They rose from a bed of ferns.


Red tree with a glimpse of Turquoise Reeds in the distance


The way Red Reeds was stacked reminds me of old split-rail fences from the Civil War era, with their diagonal bracing.


A walk in the woods


Boats are also a popular Chihuly element. Here’s Fiori Boat, which means Flower Boat. I also admired the ‘Blue Zinger’ sedge planted around it.


I’ve seen Chihuly exhibits before, at Dallas Arboretum and Desert Botanical Garden, but this was the first time along a forest trail. I enjoyed the juxtaposition of the glass amid natural scenery, especially with the fall foliage of late October.


Before I show you the museum itself, let’s explore the inside of Fly’s Eye Dome by American designer and inventor R. Buckminster Fuller, one of many interesting sculptural and architectural pieces on the museum grounds.


The circles in the dome made spotlights on the ground.


Golden trees glowed against the blue sky, framed in those circles — cool!


The museum itself is spectacular. You drop down into it from the glass-walled parking-garage elevator with a view of a spooky and monumental black spider in the open courtyard below.


It’s titled Maman, or Mother. Hmm.


For the artist, Louise Bourgeois, envisioning her mother as a spider was not a negative statement.

“Art, like the beauty of our natural world, should be accessible to everyone.”


From that dramatic entrance, the design of the museum itself is wonderful. A series of organically shaped, “floating” pods set in a small lake and surrounded by the Ozark hills, the buildings look like glass-walled, covered bridges, from which I assume the name Crystal Bridges arose. If you’re interested in how the architect, Moshe Safdie, came up with the unique design of the buildings (they reference swinging — i.e., suspension — bridges common in Arkansas) and tucked them down in a ravine rather than putting them up top for a commanding view, watch a series of engaging videos of Safdie in conversation with founder Alice Walton.


Wal-Mart heiress Alice Walton, who grew up here, loving art but with no access to museums, founded Crystal Bridges to bring great American art home to her people and her region. General admission to the museum is always free, thanks to a grant by Wal-Mart. I’m no Wal-Mart fan, but I think that’s wonderful — a tremendous gift to the people of Arkansas and especially tiny Bentonville, and to the country as well.


To me, the museum’s founding is a heartening story about investing in the place you love:

A long-time art lover and collector, Ms. Walton conceived the idea of creating a national art museum in her hometown of Bentonville, Arkansas, so that people of the region would have ready access to great works of art. She planned to build the museum on a 120-acre stretch of natural Ozark forest that had belonged to her family for many years. The land had special meaning to Alice and her brothers, who had played together in these woods as children; and it was important to the family that the land’s natural character be maintained. Alice presented her idea to the Walton Family Foundation, who agreed to fund the project.

Crystal Bridges Museum of American Art is the first national museum dedicated to the work of American artists in more than a generation. By design, Crystal Bridges is a wholly remarkable museum: in its collection, which spans five centuries of American art; in its dramatic architecture; in its lush natural setting; and in its geographical location in the heart of the country, far from any coastal metropolis.

These elements alone make the Museum distinctive among its peers, but the spirit of Crystal Bridges runs deeper than these outward emblems. From its beginning, Crystal Bridges has been guided by certain key principles: the Museum offers the finest examples of American art available, and holds education at the very core of our mission, and strives to be a welcoming and inspirational place for everyone.

This last is one of the reasons it was essential that Crystal Bridges be located here, in Bentonville, Arkansas, surrounded by the beautiful Ozark landscape, where the citizens of our region — for whom most of the country’s finest museums are hundreds of miles away — can experience great works of art as part of their everyday lives, and where visitors from anywhere in the world can enjoy American art amid the beauty of the American landscape. At Crystal Bridges, we share a belief that art is at the center of what it means to be human. Art, like the beauty of our natural world, should be accessible to everyone.


I couldn’t agree more. Here’s the museum’s restaurant, Eleven (a reference to the museum’s founding date on 11/11/11), a lovely space.


And here’s a small sampling of the art, pieces that were particularly eye-catching to me among many much more famous pieces. This is a jazzy Stuart Davis painting from a special exhibit of his work.


Exquisite paintings from Martin Johnson Heade’s The Gems of Brazil series — Hooded Visorbearer


…and Blue Morpho Butterfly.


Luigi Lucioni’s richly colored and intense Portrait of Bob


And Andy Warhol’s Endangered Species series


We had a great visit to Crystal Bridges and could easily spend another day there to see everything. We’ll definitely be back one day.

For a look back at our visit to nearby Eureka Springs, Arkansas, including beautiful Thorncrown Chapel, click here.

I welcome your comments; please scroll to the end of this post to leave one. If you’re reading this in a subscription email, click here to visit Digging and find the comment box at the end of each post.
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14 Responses

  1. Wow, I have read about this museum but had never talked to anyone that had actually been there. Sounds/looks like a must see. The glass in the forest is fabulous. Chihuly never disappoints. These bright glass objects in the forest are eye opening. This sun sculpture reminded me more of a fungus rather than the sun.

    • Pam/Digging says:

      Lisa, I think you’re a couple of hours closer to Bentonville than I am in Austin. You should go one weekend. It’s a really nice museum and a sweet little town too. —Pam

  2. shirley johnston says:

    36 Georgia O’Keefe paintings starting in May 2018!!!

  3. Kris P says:

    In structural terms, I think that’s the most attractive museum I’ve ever seen. I enjoyed the Chihuly exhibit too. While I’ve heard some garden bloggers complain that the glass in gardens thing is overdone, I appreciate the exhibits that are done well, like this one.

    • Pam/Digging says:

      The museum is a work of art itself. As for Chihuly, I think there is a certain amount of Chihuly fatigue, as his sculptures are always showing up in one public garden or another. But for all that, I still enjoy seeing them. And if they get people into the gardens who wouldn’t already go, that’s a plus too. —Pam

      • Nell says:

        Even as a somewhat Chihuly-fatigued viewer, I found some of this exhibit riveting; Red Reeds in particular. It takes something pretty flamboyant to stand up to Ozark woods in full fall flame!

        But the stars of this museum really do seem to be the buildings themselves, which successfuly evoke suspension bridges, and keep visitors connected to the magnificent natural area around them.

        Thanks so much for the virtual visit.

  4. Jenny Young says:

    I’ve been trying to get to the Chihuly exhibit all summer. Earlier this year they had an indoor exhibit as well but it’s already moved on to another museum. Still, my husband & I have set a date for next week to go during the evening, when all the glass is lit for the evening.

    Eleven is such a fun place to eat…I’ve tried almost everything on their menu!It’s all good.

    Living in this area for almost 30 yrs now, I’m a big Walmart fan. If you ever come back, be sure to spend some time on the square in Bentonville as well. It’s one of my favorite places & so many good restaurants to choose from as well.

    • Pam/Digging says:

      Eleven looked good and we wanted to try it, but the lines were really long and we had to get back to Eureka Springs in time for the Zombie Crawl — ha! Next time. We ended up grabbing a quick bite at Stone Mill Cafe, and it was tasty.

      Bentonville’s main square was charming, and we remarked that the town looked like a nice place to raise a family. I can see why anyone living in the area would be a Walmart fan, as the company has clearly boosted the economy and invested in the town’s infrastructure. I mentioned that I’m not a fan, and that’s for a few different reasons: I don’t enjoy the experience of visiting the stores, I’ve heard they don’t pay workers fairly, and they’ve put a lot of mom-and-pop and locally owned stores out of business. But the company is doing some things that I really admire, like funding research at the Lady Bird Johnson Wildflower Center and making this art museum free to everyone. I hope it will continue making positive contributions like those.

      Thanks so much for visiting Digging, Jenny, and I hope you enjoy the Chihuly exhibit as much as I did. —Pam

    • Shirley says:

      I use to turn my nose up at Walmart. Never set foot in the place. But I moved to a medium size town from a large city and started going to the walmart nearby. I am now a convert.

  5. Rebecca says:

    What a beautiful museum and Chihuly is always fabulous. I saw it when it was in Dallas and I’ve heard rumors that I might be back in the future. I hope so.

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