Gardens on Tour 2013: Placid Place Garden


The homeowner-designed Placid Place Garden, located in north-central Austin’s Highland Village neighborhood, was the third we visited on the Wildflower Center-sponsored Gardens on Tour last Saturday. While the overall design was too unstructured for my taste, I did admire several features, including this double-arbor entry gate into the back yard. The scale is perfect and lifts your eyes up to the wavy tree branch above it. I also admired the Dutch-door effect of the gate itself: the lower half is solid, while the top half is an airy wire screen. The overall effect, with a narrow flagstone path meandering through the shade garden toward the gate, is quite enticing.


In a narrow, sunny space alongside the driveway, the owner creatively expanded her growing space for edibles by planting them on a tiered structure — a smart use of space.


Out front, the view from the street suggests a woodland-edge, naturalistic garden. While this type of garden — dense with leafy foliage unbroken by open space or architectural plants — is hard to photograph (for me, anyway), it has value in attracting wildlife and adding seasonal interest to what was once likely a swath of boring St. Augustine. My eye was drawn to the tufts of sedge in the foreground — Texas native Webberville sedge (Carex perdentata).

Next up: My favorite garden on the tour, a homeowner-designed oasis at Highland Terrace West. For a look back at the contemporary Westridge Drive Garden, click here.

All material © 2006-2013 by Pam Penick for Digging. Unauthorized reproduction prohibited.

Springtime visit to the Garden of Good and Evil


Last weekend Lori, a gardener in southwest Austin who blogs at The Gardener of Good and Evil, hosted a meet-up of local garden bloggers. It was my second visit. I’d seen her lovely garden three years ago and posted about it then. Lori loves roses, and in 2010 they dominated her garden. Today, due to the drought and increasing shade from maturing trees, Lori has reduced the number of roses and added plenty of structural plants like agave and yucca to contrast with the billowy foliage of her roses and ornamental grasses.


As you approach the house, a dramatic scene greets you: Agave weberi on one side of the front walk, Agave americana on the other. ‘Margaritaville’ yucca, salvias, rosemary, and feathergrass are tucked in at their feet, and shrub roses and bamboo muhly back up the agaves to completely screen half the front garden from view.


Annual poppies make a cheerful appearance here as well.


A straight-on view of the front walk shows a feathergrass gauntlet accented with California poppies. Lori constructed the front walk herself out of concrete pavers and cinderblocks.


Stepping up into private front garden, you’re treated to eye-catching combos like this: ‘Powis Castle’ artemisia, smooth sotol (I think), yellow bulbine, ‘Color Guard’ yucca (in the pot), and Mexican feathergrass.


A wider view reveals the front walk (leading through the feathergrass) and a perpendicular walk that runs in front of the house and around to the side.


A hidden patio composed of a geometric arrangement of concrete pavers comes into view from the front porch.


A closer look reveals a fun accent: a half-face planter. We’ll see many more of these placed throughout Lori’s garden.


The deep, shady porch provides respite from the Death Star. Lori has accented the eaves with cut-out wooden stars inspired by the garden of Donnis Doyle.


Along the front porch, foxtail fern softens the step in a pretty pot, with a diminutive ajuga colonizing the shady gravel path. Heartleaf skullcap and flowering violas add seasonal color.


Violas


Taking the perpendicular path along the front porch, you enter the geometric patio, where you’re treated to multicolored ‘Mutabilis’ roses and a color-coordinated aeonium in the face planter.


A closer look


A narrow side path bordered by Mexican feathergrass leads to the back gate — a charming peek-a-boo gate, with metal screening creating a window and framing a garden view.


From the other side it’s just as appealing. Lori has stained her fence and gate blue, the color of her home, porch, and wooden decks. The plants really “pop” against that dusky blue.


The long, narrow side garden is greened up with a mix of fence-hugging vines and bright, variegated groundcovers, all mulched with shredded wood, with no edging to separate planting bed from path.


Walking along the path, you see another face planter ahead, with Southern wax myrtle screening the rest of the garden from view.


Lori has mixed dwarf ruellia, both purple- and white-blooming, and variegated liriope along the path — “a strategic choice,” she says, “since I don’t have lighting in that side yard. All of those whites glow at twilight so I can see where to walk. I water it only rarely, even during periods of horrible drought, and cut it all down to the ground once a year, so it’s pretty much the perfect low-maintenance planting.”


A cut-leaf philodendron marks the end of the path, and it’s underplanted with that brightly variegated liriope.


Now the back garden opens to view. Deep borders along the fence lines are packed with a mix of textural, blooming, and structural plants, many of which are native to central Texas: datura, rosemary, heartleaf skullcap, prickly pear, agaves in pots, roses, Mexican buckeye, Mexican feathergrass, and bamboo muhly, to name a few. A bit of lawn remains, and it functions primarily as a wide, curvy path through the garden and as a negative space to rest the eye.


A native mesquite tree anchors the center of the garden, its sculptural limbs supporting a feathery canopy of leaves.


One branch serves as a bottle tree, with carriage screws supporting an assortment of blue bottles.


A deep porch and a Florida room (not pictured) along the back of the house provide plenty of space to sit and view the garden. A shed (pictured), brightened with window-like mirrors, anchors one end of the porch. In the L-shaped space between shed and porch, Lori solved a persistent drainage problem by constructing a decomposed-granite patio raised one step to the level of the porch. A double line of concrete pavers leads the eye (and the feet) from the porch directly to the lawn.


I like the way Lori created a bed around the mesquite that’s mostly at ground level but also continues at patio level, with feathergrass and pink evening primrose planted directly in the decomposed granite.


Pink evening primrose


This beautiful vessel fountain is a new addition since last time I visited. Plumbing pipe pours water into a glazed, sculptural container, which spills into an arrangement of Mexican beach pebbles. The water circulates into an underground basin and back up through the pipe. Update from Lori about the basin: “The basin for the fountain is by John Lamos, an artist based in northern California. He specializes in lightweight sculpture using sustainable materials.”


Following the line of pavers, your eye is drawn to a trio of face planters arranged on a low retaining wall.


Blue-green heartleaf skullcap behind the faces will be blooming soon.


Another trio — this time golden barrel cacti in a metal planter. Ice plant trails along the edge.


Lori has a flair for displaying pots in an eye-catching way. In this collection on her patio, she sets another face planter on a mini-plinth of concrete pavers and elevates a cobalt-blue pot on a few tinted pavers. Glass beads and Mexican beach pebbles used as mulch add a finishing touch.


An enormous cardoon adds bold foliage to a small vegetable garden planted along the shed.


Looking back to the mesquite bed. Light-catching grasses are complemented by chunky Opuntia pads and sword-like agave leaves.


The fountain is pretty from every angle.


On a wall on the covered porch, Lori creatively hung a leftover section of gutter, painted it blue, and planted it up with grandfather’s pipe (Callisia fragans) cuttings. The shady space is brightened with mirrors disguised as windows.


Blue is definitely the color of choice in Lori’s garden, including in this charming vignette along a corner of the foundation. Yellow in the golden barrel cactus, yucca, and agave makes a perfect complement.


At the gate on the other side of the house, a variegated agave and purple heart in a silver container, set on a homemade plinth of concrete pavers, make an eye-catching focal point. A round mirror reflects light like a silver moon.


Along the back of the house, a line of ‘Color Guard’ yucca is surrounded by colorful, blooming ice plant, orange narrowleaf zinnia, and blackfoot daisy. Like all of Lori’s garden, it’s a charming and creative combination with an element of surprise.

Lori, thanks so much for letting me come back to photograph your garden as it continues to evolve! Readers, if you’d like to read my previous post about the Garden of Good and Evil, click here.

You’re Invited!
I’ll be at
BookPeople on Saturday, May 4, at 4 pm , along with author Jenny Peterson, to talk briefly about design tips for losing the lawn or paring it back. Jenny will be sharing styling tips for houseplants. And we newbie authors will BOTH be signing copies of our books! Whether you have a green thumb or a brown one, let’s fill up BookPeople with people who care about plants and the earth!

The talk is free and open to the public, and I’d love to see a lot of friendly faces! If you do want an autographed book, BookPeople requires an in-store purchase. Just FYI.

All material © 2006-2013 by Pam Penick for Digging. Unauthorized reproduction prohibited.

Blazing Indian blanket and more at the Wildflower Center, part 3


So many wildflowers were in bloom last Friday at the Lady Bird Johnson Wildflower Center that it’s taken three posts for me to show you everything. Today I’m leading with the eye-popping hotness of a swath of Indian blanket, also known as firewheel (Gaillardia pulchella).


Can’t you just bask in its warmth?


Pink evening primrose (Oenothera speciosa) blooming behind it added a sweetness to the scene—a sweetness belied by that plant’s aggressive nature.


But what a surprisingly pretty combo it makes.


Another meadow scene stars twistleaf yucca (Yucca rupicola), an unknown penstemon, and Texas bluebonnets, as well as various native grasses.


Could this be standing cypress (Ipomopsis rubra)? I admired the vertical, ferny foliage against last season’s tawny grasses.


Another interesting textural contrast was provided by gone-to-seed golden groundsel (Packera obovata) backed by Texas bluegrass (Poa arachnifera), a grass I hadn’t encountered before.


A closeup of the golden groundsel seedheads


Moving on to something a little fresher, I spotted this beautiful iris blooming in a shallow pond…


…as well as this pretty white flower.


Heading back toward the parking lot, I passed another open meadow awash in sunlight. This Texas persimmon (Diospyros texana) seemed spotlit, its gnarled, silvery-gray trunks edged with white, its fresh green leaves illuminated like stained glass.


Then I noticed that a live oak’s low branches perfectly framed another trio of Texas persimmons, like dancing nymphs.


Bluebonnets and penstemons bloomed at my feet.


A closer look


An aqueduct, draped in Virginia creeper, transports rainwater from one of the building’s roofs to a stone-sided cistern—the first structure you see as you enter the Wildflower Center. Here, water is treated as the precious resource it is.


Virginia creeper (Parthenocissus quinquefolia), so pretty in fall when it turns red, is equally pretty in springtime, cloaking a stone pillar in greenery.


And here’s one last kinetic sculpture, part of a temporary art display, to bid you goodbye.

I hope you’ve enjoyed this series of posts about my recent visit to the Wildflower Center. For a look back at Part 1 and Part 2, please click the links.

All material © 2006-2013 by Pam Penick for Digging. Unauthorized reproduction prohibited.